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Featured Author: Alicia Suskin Ostriker

THE BRIDGE | MASTECTOMY | WHAT WAS LOST | WINTERING | YEARS OF GIRLHOOD (FOR MY STUDENTS)
| EPILOGUE: NEVERTHELESS

Alicia Suskin Ostriker is a poet and critic, author of seven previous books of poetry, including The Imaginary Lover, which won the 1986 Poetry Society of America William Carlos Williams Award. Her poetry has been widely anthologized and has been translated into French, German, Italian, Japanese, Hebrew, and Arabic. She is also the author of Stealing the Language: The Emergence of Women's Poetry in America and The Nakedness of the Fathers: Biblical Visions and Revisions. She has received grants from the National Endowment for the Arts, the Rockefeller Foundation, and the Guggenheim Foundation. The Crack in Everything won the 1997 Paterson Poetry Prize for the best poetry book of 1996. Alicia Suskin Ostriker lives in Princeton, New Jersey and is a professor of English at Rutgers University.

The Crack in Everything

"The Mastectomy Poems:"

1. THE BRIDGE

You never think it will happen to you,
What happens every day to other women.
Then as you sit paging a magazine,
Its beauties lying idly in your lap,
Waiting to be routinely waved goodbye
Until next year, the mammogram technician
Says Sorry, we need to do this again,

And you have already become a statistic,
Citizen of a country where the air,
Water, your estrogen, have just saluted
Their target cells, planted their Judas kiss
Inside the Jerusalem of the breast.
Here on the film what looks like specks of dust
Is calcium deposits.
Go put your clothes on in a shabby booth
Whose curtain reaches halfway to the floor.
Try saying fear. Now feel
Your tongue as it cleaves to the roof of your mouth.

Technicalities over, medical articles read,
Decisions made, the Buick's wheels
Nose across Jersey toward the hospital
As if on monorail. Elizabeth
Exhales her poisons, Newark Airport spreads
Her wings--the planes take off over the marsh--
A husband's hand plays with a ring.

Some snowflakes whip across the lanes of cars
Slowed for the tollbooth, and two smoky gulls
Veer by the steel parabolas.
Given a choice of tunnel or bridge
Into Manhattan, the granite crust
On its black platter of rivers, we prefer
Elevation to depth, vista to crawling.

4. MASTECTOMY
for Alison Estabrook

I shook your hand before I went.
Your nod was brief, your manner confident,
A ship's captain, and there I lay, a chart
Of the bay, no reefs, no shoals.
While I admired your boyish freckles,
Your soft green cotton gown with the oval neck,
The drug sent me away, like the unemployed.
I swam and supped with the fish, while you
Cut carefully in, I mean
I assume you were careful.
They say it took an hour or so.

I liked your freckled face, your honesty
That first visit, when I said
What's my odds on this biopsy
And you didn't mince words,
One out of four it's cancer.
The degree on your wall shrugged slightly.
Your cold window onto Amsterdam
Had seen everything, bums and operas.
A breast surgeon minces something other
Than language.
That's why I picked you to cut me.

Was I succulent? Was I juicy?
Flesh is grass, yet I dreamed you displayed me
In pleated paper like a candied fruit,
I thought you sliced me like green honeydew
Or like a pomegranate full of seeds
Tart as Persephone's, those electric dots
That kept that girl in hell,
Those jelly pips that made her queen of death.
Doctor, you knifed, chopped and divided it
Like a watermelon's ruby flesh
Flushed a little, serious
About your line of work
Scooped up the risk in the ducts
Scooped up the ducts
Dug out the blubber,
Spooned it off and away, nipple and all.
Eliminated the odds, nipped out
Those almost insignificant cells that might
Or might not have lain dormant forever.

5. WHAT WAS LOST

What fed my daughters, my son
Trickles of bliss,
My right guess, my true information,
What my husband sucked on
For decades, so that I thought
Myself safe, I thought love
Protected the breast.

What I admired myself, liking
To leave it naked, what I could
Soap and fondle in its bath, what tasted
The drunken airs of summer like a bear
Pawing a hive, half up a sycamore.
I'd let sun eyeball it, surf and lake water
Reel wildly around it, the perfect fit,
The burst of praise. Lifting my chin
I'd stretch my arms to point it at people,
Show it off when I danced. I believed this pride
Would protect it, it was a kind of joke
Between me and my husband
When he licked off some colostrum
Even a drop or two of bitter milk
He'd say You're saving for your grandchildren.

I was doing that, and I was saving
The goodness of it for some crucial need,
The way a woman
Undoes her dress to feed
A stranger, at the end of The Grapes of Wrath,
A book my mother read me when I was
Spotty with measles, years before
The breast was born, but I remembered it.
How funny I thought goodness would protect it.
Jug of star fluid, breakable cup--

Someone shoveled your good and bad crumbs
Together into a plastic container
Like wet sand at the beach,
For breast tissue is like silicon.
And I imagined inland orange groves,
Each tree standing afire with solid citrus
Lanterns against the gleaming green,
Ready to be harvested and eaten.

7. WINTERING

I had expected more than this.
I had not expected to be
an ordinary woman.

--Lucille Clifton

It snows and stops, now it is January,
The house plants need feeding,
The guests have gone. Today I'm half a boy,
Flat as something innocent, a clean
Plate, just lacking a story.
A woman should be able to say
I've become an Amazon,
Warrior woman minus a breast,
The better to shoot arrow
After fierce arrow,
Or else I am that dancing Shiva
Carved in the living rock at Elephanta,
Androgynous deity, but I don't feel
Holy enough or mythic enough.
Taking courage, I told a man I've resolved
To be as sexy with one breast
As other people are with two
And he looked away.

Spare me your pity,
Your terror, your condolence.
I'm not your wasting heroine,
Your dying swan. Friend, tragedy
Is a sort of surrender.
Tell me again I'm a model
Of toughness. I eat that up.
I grade papers, I listen to wind,
My husband helps me come, it thaws
A week before semester starts.

Now Schubert plays, and the tenor wheels
Through Heine's lieder. A fifteen-year survivor
Phones: You know what? You're the same person
After a mastectomy as before. An idea
That had never occurred to me.
You have a job you like? You have poems to write?
Your marriage is okay? It will stay that way.
The wrinkles are worse. I hate looking in the mirror.
But a missing breast, well, you get used to it.

10. YEARS OF GIRLHOOD (FOR MY STUDENTS)

All the years of girlhood we wait for them,
Impatient to catch up, to have power
Inside our sweaters, to replace our mothers.

O full identity, O shape, we figure,
We are God's gift to the world
And the world's gift to God, when we grow breasts,

When the lovers lick them
And bring us there, there, in the fragrant wet,
When the babies nuzzle like bees.

12. EPILOGUE: NEVERTHELESS

The bookbag on my back, I'm out the door.
Winter turns to spring
The way it does, and I buy dresses.
A year later, it gets to where
When they say How are you feeling,
With that anxious look on their faces,
And I start to tell them the latest
About my love life or my kids' love lives,
Or my vacation or my writer's block--
It actually takes me a while
To realize what they have in mind--
I'm fine, I say, I'm great, I'm clean.
The bookbag on my back, I have to run.

Pittsburgh University Press. Copyright © 1996 by Alicia Ostriker. Reprinted by permission.

To Madeline Tiger's Introduction

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